Past MOCRA Events
Browse the chronological list of events at the 性奴调教 Museum of Contemporary Religious Art (MOCRA), or search for a specific event. Click 鈥淰iew鈥� for more information about an event. If you need further information about an event, please contact us.
Creativity as Ancestral Mind: Living with the Ancestors
June 7, 1997
MOCRA presents an afternoon symposium focusing on the art of the Aborigines of Australia's Central Desert. In the unique setting of the world's first museum of contemporary interfaith art, surrounded by dazzling aboriginal art which presents a 40,000-year-old visual tradition to modern eyes, we will explore the renaissance of traditional Aboriginal culture, its encounter and mastery of Western media, and the deep meaning of the intricate patterns traced in its art.
This program takes place in conjunction with the exhibition Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections.
This talk is made possible through the generous financial support of the Embassy of Australia, Washington, D.C.
Participants:
Mary Reid Brunstrom: 鈥淭he Development of Contemporary Art at Utopia鈥�
Director, Austral Gallery - Australian Contemporary Art, St. Louis
Jacqueline Lewis-Harris: "More than Dot Paintings: Sacred Geology"
Assistant Curator for Africa, Oceania, and the Americas, Saint Louis Art Museum
Dr. John Nunley: "Ancestors, Art and Regeneration"
Morton D. May Curator of the Arts for Africa, Oceania, and the Americas, Saint Louis Art Museum
Dr. Mary Wells Baron: Response
Jungian psychoanalyst, St. Louis
Dr. Diane Martin: Response
clinical psychologist and Jungian psychoanalyst; Abbot, Udumbara Zen Center, Evanston, IL
above:
Installation view of Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections at MOCRA, 1997. Photo by Jeffrey Vaughn.
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| 2010-03-28 |
Terrence Dempsey, S.J.: “The Wounded Body of Christ and the Modern Social Conscience” |
| 2009-12-01 | 
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Michael Morris, O.P.: 鈥淢oving Pictures: The Bible and Beyond鈥� |
| 2007-03-30 | 
Peter Frank: 鈥淎n Oskar Fischinger Tribute鈥� |
| 2006-12-01 | 
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| 2005-12-04 | 
Robert Rosenblum: 鈥淒oDo Jin Ming: An Art Historian's View鈥� |
| 2003-09-07 | 
To Make Extraordinary: The Role of Sacred Objects in Life and Worship |
| 2002-05-04 | 
The Tuskegee Syphilis Experiment: A University Response |
| 2002-04-30 | 
Fred D. Gray: The Tuskegee Syphilis Experiment: A Study That Should Never Have Occurred |
| 2002-01-31 | 
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| 2002-01-26 | 
Thomas Sokolowski: 鈥淭he Last Temptation: Andy Warhols Art as Belief鈥� |
| 2000-11-30 | 
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| 2001-04-06 | 
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| 1999-04-15 | 
Two Lectures: Ellen Dissanayake and Jack Renard |
| 1999-03-27 | 
Bernard Maisner: 鈥淭he Art of the Illuminator鈥� |
| 1998-03-22 | 
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| 1997-11-15 | 
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Jennifer Biddle: Body, Country, Canvas: Meaning and Identity in Central Desert Aboriginal Women鈥檚 Art |
| 1997-06-07 |
Creativity as Ancestral Mind: Living with the Ancestors |
| 1997-02-27 | 
The Artist and the Theologian Dialogue: The Body of Christ as Veiling and Unveiling the Invisible God |
| 1996-12-01 | 
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| 1996-05-19 | 
The Artist as Poet: Readings by Edward Boccia |
| 1995-05-20 | 
Ian Friend: 鈥淭he Edge of Belief鈥� |
| 1995-05-04 | 
Peter Selz: 鈥淒egenerate Art鈥� |
| 1995-02-05 | 
Lynn Hague in recital |
| 1994-11-13 |
Terrence Dempsey, S.J.: 鈥淭he Spiritual in Art in the Time of AIDS鈥� |
| 1994-12-01 |
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| 1994-11-05 |
Thomas Sokolowski: 鈥淭he Changing Face of AIDS鈥� |
| 1994-11-01 |
The Amici String Quartet in recital |
| 1994-10-15 | 
Consecrations: The Spiritual in Art in the TIme of AIDS dance program and opening reception |
| 1993-10-29 | 
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| 1993-11-05 | 
An Evening with Katherine Dunham |
| 1992-11-07 | 
The Artist and Sacred Space |