Past Exhibitions : 性奴调教

Past Exhibitions

Browse the chronological list of past exhibitions at the 性奴调教 Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click 鈥淰iew鈥� for more information about an exhibition. If you need further information about an exhibition, please contact us.

Name

Miao Xiaochun: The Last Judgment in Cyberspace

Dates

February 3, 2008 to May 18, 2008

Description

Chinese artist Miao Xiaochun asked himself an interesting question: "How would Michelangelo鈥檚 The Last Judgment appear from behind?" To explore this premise, Miao Xiaochun rendered a 3-D digital model of his own body. Then he mapped this model onto all 400-plus of the figures in Michelangelo鈥檚 Sistine Chapel painting, creating a virtual space according to the composition of the painting. From this virtual space he produced several large-scale digital C-print images of the scene from various vantage points, as well as a video in which the viewer "flies through" the painting. The artist describes it as "a visual and intellectual recreation of a different order鈥攁 two-dimensional representation is translated into a three-dimensional representation, a standard religious theme becomes the subject of personal speculation, a conclusion is turned into a question, a still canvas is made into active images, and an ancient work is taken as the site of a contemporary discourse."

Curator and art historian Wu Hung describes The Last Judgment in Cyberspace as a re-representation of an existing work of art. Contemporary digital and video technology allows contemporary artists to reflect upon and respond to earlier art forms, transforming paintings and sculptures into animated images with enhanced visual immediacy. Miao Xiaochun鈥檚 approach enables the viewer to enter Michelangelo鈥檚 painting as a participant, and allows one to adopt otherwise impossible viewing angles. This allows for imaginative play: what is the experience of judgment from the point of view of one of the blessed, or one of the damned, or one of the heavenly cohort?

Furthermore, new critical perspectives are introduced, both of Michelangelo鈥檚 painting, and of the questions about ultimate meaning it raises. Miao Xiaochun becomes all of the characters鈥攖he divine, the demonic, the saved, and the damned. The repeated use of the same model "automatically abandons the distinctions between high and low, left and right, good and evil, honorable and humble, east and west, ancient and modern," according to the artist. Miao Xiaochun leaves the figures in his "re-representation" in a relatively rough state, with an almost marble-like appearance. The C-prints and the video blend qualities of cutting-edge technology with sublime and apocalyptic imagery.

The Last Judgment in Cyberspace has been exhibited in Beijing, Berlin, and Chicago. MOCRA is only the second American venue for this pioneering work. MOCRA is grateful to the Walsh Gallery, Chicago, for its assistance in bringing this exhibition to St. Louis.

Artist Miao Xiaochun was born in Wuxi, Jiangsu, China in 1964. He has been featured in solo and group exhibitions worldwide, including shows in China, Korea, Australia, Germany, the United Kingdom, and the United States. Presently he teaches in the Photography and Digital Media Department at the Central Academy of Fine Arts in Beijing.

Curator Wu Hung is the Harrie A. Vanderstappen Distinguished Service Professor in Chinese Art History at the University of Chicago, and Consulting Curator at the Smart Museum. His research interests include both traditional and contemporary fields and he has published several books in addition to numerous catalogue essays. He has curated major exhibitions of contemporary Chinese art.

What do the figures in Michelangelo鈥檚 Last Judgment ... see at this fatal moment? To Miao Xiaochun, to answer these questions means to enter the painting and to assume the varied gazes of the painted figures. | Wu Hung

above:
Installation view of Mia Xiaochun: The Last Judgment in Cyberspace at MOCRA, 2008. Photo by Jeffrey Vaughn.

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